Here one idea that emerged concerning the base/stage to the interaction with the projections. The structure was composed by a series of small wooden planes fixed onto the ceiling. The planes could be moved by the audience being interconnected by a set of pulleys. Nevertheless, in the end, the wooden kinetic structure was becoming more evident than the performance projection. The idea was to make the material part of the work 'disappear'...
Here another previous idea suggested by Graziele Lutenschlaeger:
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