quinta-feira, 20 de janeiro de 2011

Voodoohop : collecting antenarratives:

The following form will be used at the Voodoohop to run the dynamic of collecting antenarratives:

Instantes de Metamorfose I
Voodoohop, 21 Janeiro de 2011, São Paulo

Dinâmicas de desenho e escrita emergente são a base do processo de colecionar/construir os espaços estoricizados. A coleção de espaços estoricizados objetiva tornar visível a dinâmica sistêmica. É a partir dessa coleção de espaços estoricizados que é possível construir novas narrativas observando as relações entre as partes, entre partes e todo, entre todo e ambiente. Os espaços estoricizados serão agrupados em 7 (sete) instâncias de organização e significado em uma estrutura que é um sistema dentro do sistema-processo criativo. As instâncias são – impressão, atenção, memória, comparação, julgamento, reflexão, e imaginação e a dinâmica contempla as seguintes etapas:
1) Impressão (desenhos emergente produzido imediatamente após a experiência)
2) Atenção (escrita emergente produzida 10 minutos após a experiência e/ou gravação de vídeo com depoimento na forma de brainstorming)
3) Memória (escrita emergente e/ou desenho produzidos 1 (um) dia após a experiência)
4) Comparação (escrita emergente produzida 2 (dois) dias após a experiência combinada com a produção de um painel semântico)
5) Julgamento (escrita emergente produzida 3 (três) semana após a experiência)
6) Reflexão (escrita emergente produzida 5 (cinco) dias após a experiência)
7) Imaginação (escrita emergente e desenho produzidos 7 (sete) dias após a experiência)

Nome:
Sobre você:
E-mail:
Facebook:
concorda em participar da dinâmica via e-mail?


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Instant of Metamorphosis 01

Instant of Metamorphosis 01 was installed for the first time in March 2010 at the Faculty of Administration and Arts building, Limeira, Sao Paulo Countryside, Brazil

Instants of Metamorphosis FAAL 2010



Instants of Metamorphosis version 01, was exhibited from 01 October to 21 December 2010 at the FAAL - Faculty of Administration and Arts, city of Limeira, São Paulo countryside, Brazil. During this period The Double collective crew was involved in the dynamic of collecting antenarratives through emergent writing and drawing activities combined with video documentary.
http://www.faal.com.br/

VOODOOHOP das Resoluções Irreais



VOODOOHOP das Resoluções Irreais 21/01 from Voodoo Hop on Vimeo.




VOODOOHOP das Resoluções Irreais // Sexta 21/01/2011

Ego (Antiga Ocean Club)
Rua Nestor Pestana, 189 - Centro/SP
próximo Praça da Roosevelt

Lineup:

Bandas
--------
Zeroum (SP - Live Krautrock/Post-Punk)
Boom Project (SP - Surf/Funk)

Djs
----
Joyce Muniz (Exploited/Vienna)
Daniel IV (Liverpool/SP)
Say Hooo! (Floripa/Berlin)
Souksouklow (voodoohop)
Thomash (voodoohop)
Felipe Ribeiro (set alucinante)
Rubens Peterlongo (iorana set)
Cintia Mascari (SP)

Videoarte/Instalação
-------------------------
Mari Rizzo + Danilo B aka Bozo
Priscila Blix (ambiente/tarô/labirinto)
VJ Luis Briza (Artmidiacomp)
VJs Suave (Buenos Aires)
Paulo Beto - Zeroum (projeção 3D!)
DOOMEDO
A&Vj.ylantee
Instants of Metamorphosis (Instalação Multimedia / Coletivo O Duplo)

Dança
--------
Marilia Lins (dança tribal fusion)
bailarinos : Rafelice, Thamú, Tais, Jeferzion

Live painting/Arte
--------------------
Lunkie
Satansmothers

+ Hosts Fantasiados : Volatille & Fernanda
+ Brechó Full Gás


preços: r$0 de bicicleta (traga cadeado)
r$10 até 00:30h/r$20

contato: voodoo@voodoohop.com

pulleys' structure idea

Here one idea that emerged concerning the base/stage to the interaction with the projections. The structure was composed by a series of small wooden planes fixed onto the ceiling. The planes could be moved by the audience being interconnected by a set of pulleys. Nevertheless, in the end, the wooden kinetic structure was becoming more evident than the performance projection. The idea was to make the material part of the work 'disappear'...



Here another previous idea suggested by Graziele Lutenschlaeger:

process models of the base structure

Here some process models of the base structure; an attempt to translate the idea of a never-ending spiral:





instructions to the video documentation production

Here we have the sketches of the instructions to the video documentation production that were sent to Renata La Rocca in Brazil in March 2009 as a suggestion/orientation:








sábado, 15 de janeiro de 2011

Arizona Dream (1993)

Talking about the mirrors, reflection, Jennifer Nikolov(a) mentioned the film "Arizona Dreams", mentioned it could be 'read' as a movie about the relation between a man a fish...Me and Renata La Rocca was discussing questions of reflection related to the installation Instants of Metamorphoses v.02 that will interfere and define the design of the installation's structure.




IMDB:
Arizona Dream (original title) (1993)
http://www.imdb.com/title/tt0106307/

References / Participant H.N.




Listed bellow are some of the references brought by the participant N.H. in the dynamics of collecting antenarratives / Instants of Metamorphosis version 01.
December 2010

The first reference was the book Les Chants de Maldoror (The Songs of Maldoror), by Comte de Lautréamont:

Les Chants de Maldoror (The Songs of Maldoror)
a poetic novel (or a long prose poem) consisting of six cantos. It was written between 1868 and 1869 by the Comte de Lautréamont, the pseudonym of Isidore Lucien Ducasse. Many of the surrealists (Salvador Dalí, André Breton, Antonin Artaud, Marcel Duchamp, Man Ray, Max Ernst, etc.) during the early 1900s cited the novel as a major inspiration to their own works and Les Chants de Maldoror, and its protagonist Maldoror, have continued to fascinate people since its publication.

wiki: http://en.wikipedia.org/wiki/Les_Chants_de_Maldoror


Here an Italian band of Death Rock named "Chants of Maldoror" I found when looking for the book via Google search engine:




The second reference was the experimental/horror film Begotten, 1991 , directed and written by E. Elias Merhige:

The film heavily deals with religion and the biblical story of the Creation. But as Merhige revealed during Q&A sessions, its primary inspiration was a near death experience he had when he was 19, after a car crash. The film features no dialogue, but rather uses harsh and uncompromising images of human pain and suffering to tell its tale. It also has no music, instead, the movie is accompanied by the sounds of crickets, and occasionally other sound effects such as grunting and thrashing.
The film was shot on black and white reversal film, and then every frame was rephotographed for the look that is seen. The only colors are black and white. There are no half-tones. This is intended to add to the eerie atmosphere of the movie, as sometimes the viewer cannot always exactly make out what it is being shown, but can still infer a sense of suffering. The look of the film is described in the trailer as "a Rorschach test for the eye". Merhige said that for each minute of original film, it took up to 10 hours to rephotograph it for the look desired.

wiki: http://en.wikipedia.org/wiki/Begotten




IMDB: http://www.imdb.com/title/tt0101420/

The participant was still talking about his interest in Shock art...
wiki: http://en.wikipedia.org/wiki/Shock_art

Two weeks after his experience in the isntallation Instants of Metamorphosis v.01, the participant sent the book "Les Chants de Maldoror (The Songs of Maldoror), by Comte de Lautréamont (a translation to Portuguese) to Clarissa Ribeiro via Renata La Rocca.


Lautréamont, Conde de. Os Cantos de Maldoror. Tradução de Claudio Willer. São Paulo: Vertente Editora, 1970. (pseudônimo do poeta francês de origem uruguaia Isidore Ducasse)







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Antenarrative's Series / Participant H.N.










quarta-feira, 5 de janeiro de 2011

Endopterygota



http://tolweb.org/Endopterygota/8243

ndopterygotes are those insects with distinctive larval, pupal, and adult stages. Their name (endo = within, pterygos = wing) refers to the fact that in later immature stages the wing buds are not evident externally, but instead the future wing tissues are entirely internalized; they make their first external appearance in the penultimate (pupal) stage. In contrast, other winged insects (for example, bugs) have external wing buds in instars before the penultimate.

Another name for this group is Holometabola, referring to the "complete metamorphosis" of the species; that is, the dramatic changes between larval, pupal, and adult stages.

Four of the five largest orders of insects belong to this group (Coleoptera, Hymenoptera, Lepidoptera, and Diptera).





http://entomology.ucr.edu/ebeling/ebeling4.html